Bartlett, Sterling - How Did We Get Here?

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How Did We Get Here? is a tract, a rant, a sermon against the harbingers of our pyrotechnic-insanitarium endtimes, and possibly, if enough people pay attention to the Void, an illustrated pamphlet for a coming revolution. Fusing the sensibilities of Bobcat Goldthwait and Mark Fisher, How Did We Get Here? is both bracing and humanistic.”—Apocalypse Confidential

“Ceremonial literature for a crashing spaceship.”—Skullphone

How Did We Get Here? is a provocative thumb in the eye of just about everything in our sadly diminished culture.”—Shepherd Express

How Did We Get Here? is an interplanetary gripe session in the form of a comic book. Its target: pretty much everything. This postmodern hellfire sermon (delivered by a para-physical, ultra-terrestrial entity named Void) pinpoints the micro-absurdities and inconvenient perpetrators feeding the downward slide of contemporary culture. Hooks are thrown right and left in an attempt to halt our earthly souls from becoming completely quantified, price stamped, and sold to the highest bidder.

Void's unwitting victims herein include the blue-chip Art World, eternally returning Hollywood franchises, the military-industrial complex, The Strokes, Silicon Valley “Disruptors,” and the subtle tyranny of social media morality. Pretentious types might point out debts to Marxist cats like Mark Fisher and Eric Voegelin alongside psycho-spiritual theorizers like Erik Davis and John Keel. Overall, file somewhere between Monty Python’s Meaning of Life and an Adam Curtis-directed Saturday morning PSA.

And at a portable 32 pages, you can carry How Did We Get Here? everywhere—allowing you to never forget the relentless commodification of art and life in the 21st century. It’s a souvenir program from the greatest show on earth.

How Did We Get Here? was conceived, written, and drawn by veteran painter and illustrator Sterling Bartlett. In his 20 year career as a fine artist, Bartlett’s work has been exhibited across North America, the UK, Denmark, & Greece. Juxtapoz has called him a man with “an authoritative understanding of fringe cultural mythologies” and his visual style is as wide-ranging. Bartlett lives in Los Angeles with his girlfriend, their cat, and dog.

“[Bartlett's] approach is laser-focused on dismantling preconceived notions as to why these things we’ve all come to accept keep taking up so much headspace.” — Nick Spacek, Cinepunx

“ odyssey of capitalist realism with hilarious depictions of our current dystopia, ranging from the attention economy and our technological enslavement to the art-world grift.”—@beyondwokeandproblematic

32 pages / 11” x 7.8” / Saddle-stapled
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