{"product_id":"various-girls-in-the-garage-volume-5","title":"Various - Girls In The Garage Volume 5","description":"\u003cp\u003e\u003cspan\u003eVarious\u003cbr\u003eGirls In The Garage Volume 5\u003cbr\u003e2018 Past \u0026amp; Present\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePast \u0026amp; Present present \u003c\/span\u003e\u003ci\u003eGirls In The Garage Volume 5\u003c\/i\u003e\u003cspan\u003e, the fifth volume of a series of garage rock compilations focusing on female artists. Prior to \u003c\/span\u003e\u003cb\u003eJoan Jett\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePatti Smith\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCourtney Love\u003c\/b\u003e\u003cspan\u003e and other era-defining women in rock, there were the girls in the garage. Like their male counterparts discovered, being in a band was not only cool and alluring, it was sexual and ultimately political without making a political statement. The garage band was a medium that enabled a voice to be heard, whether it be an adolescent fury of angst and frustration or plain old hormones. \u003c\/span\u003e\u003ci\u003eGirls In the Garage\u003c\/i\u003e\u003cspan\u003e captures the raw essence of those juvenile dreams played out through guitars, drums, microphones and amplifiers. Prevailing gender roles would be tested, and rock 'n' roll became someone else's domain: the girls. Although it's been said that it was rare for a girl group to play on their own records in the mid-1960s, they were many exceptions. On both sides of the Atlantic, cynical and shrewd producers largely employed session musicians, afraid of any conceivable faults at the hands of such young and innocent hands, male and female. The ones who didn't were bold visionaries that believed not only in this new generation's ambitions, but their capabilities as well. As the female presence in rock n' roll gained traction through the appearance of figures such as \u003c\/span\u003e\u003cb\u003eThe Vejtables\u003c\/b\u003e\u003cspan\u003e' \u003c\/span\u003e\u003cb\u003eJan Errico\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Honeycombs\u003c\/b\u003e\u003cspan\u003e' \u003c\/span\u003e\u003cb\u003eHoney Lantree\u003c\/b\u003e\u003cspan\u003e, and the fabulous \u003c\/span\u003e\u003cb\u003eMaureen Tucker\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cb\u003eThe Velvet Underground\u003c\/b\u003e\u003cspan\u003e), so too did the rise of all-female bands. Liverpool's \u003c\/span\u003e\u003cb\u003eLiverbirds\u003c\/b\u003e\u003cspan\u003e and Hull's \u003c\/span\u003e\u003cb\u003eMandy and The Girlfriends\u003c\/b\u003e\u003cspan\u003e gave weight to the idea that it was \"normal\" and paved the way for like-minded girls to pick up their guitars. Although the prevailing attitude among both major and independent record labels was never going to be inspiring or welcoming, times were changing and girls didn't just want to have fun. Emerging groups such as \u003c\/span\u003e\u003cb\u003eThe Pleasure Seekers\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eWhite Boots\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAce Of Cups\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBittersweets\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eThe Luv'd Ones\u003c\/b\u003e\u003cspan\u003e were playing rock n' roll on their own terms whilst breaking new ground, whether they were trying to or not. Features: \u003c\/span\u003e\u003cb\u003eThe Majorettes\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Bermudas\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Occasionals\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBente Lind \u0026amp; the Lunicks\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Pussycats\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJeff\/The Atlantics\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe What Four\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLinda Gayle\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Girls\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eStacy's 5th\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMavricks\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eTammy \u0026amp; the Sounds\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBeatlemaids\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAngel \u0026amp; the Devines\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Electric Lollipop\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eZuma\u003c\/b\u003e\u003cspan\u003e. 180 gram, white vinyl; Includes full-color, four-page booklet; hand-numbered sleeves.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":49268003012830,"sku":null,"price":26.42,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/PAPR2005LP_CU.jpg?v=1792706428","url":"https:\/\/wyrdbyrdypsi.com\/products\/various-girls-in-the-garage-volume-5","provider":"Wyrd Byrd","version":"1.0","type":"link"}