{"title":"Coming Soon","description":"These are items that have been shipped to our store and will transition to New Arrivals soon.","products":[{"product_id":"ash-ra-tempel-schwingungen","title":"Ash Ra Tempel - Schwingungen","description":"\u003cp\u003eAsh Ra Tempel\u003cbr\u003eSchwingungen\u003cbr\u003e2021 MG.ART\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMG.ART announce the authorized 50th anniversary edition of \u003c\/span\u003e\u003cb\u003eAsh Ra Tempel\u003c\/b\u003e\u003cspan\u003e's \u003c\/span\u003e\u003cu\u003eSchwingungen\u003c\/u\u003e\u003cspan\u003e, originally released in 1972. One of the most important German krautrock albums. Re-cut carefully overseen by \u003c\/span\u003e\u003cb\u003eManuel Göttsching\u003c\/b\u003e\u003cspan\u003e himself. Gatefold sleeve with sticker; Includes original release sheet and inlay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cb\u003eJulian Cope\u003c\/b\u003e's review on \u003cu\u003eSchwingungen\u003c\/u\u003e in \u003cu\u003eKrautrocksampler\u003c\/u\u003e (Head Heritage, 1995): \"'Beware of Schwingungen!' That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually introduced to something that is life-changing, as I found out to my cost when first listening to this record. It all starts fairly simply and without any cause for alarm -- 'Look at Your Sun' begins with a \u003cb\u003eDoors\u003c\/b\u003ey lone groover guitar begins a pedestrian blues, beautiful. Then the most crushed voice, a cross between \u003cb\u003eJohnny Rotten\u003c\/b\u003e and \u003cb\u003eTiny Tim\u003c\/b\u003e, preaches its way into the proceeds. God, it is beautiful -- \u003cb\u003eJohn L.\u003c\/b\u003e repeats over and over, 'We are all one, we are all one', until a howling fuzztone solo guitar blows the whole one chord 'Signed D.C.' ringing-cymbals torture to an end. And then the most far out track of all begins. This is called 'Flower Must Die' and it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, \u003cb\u003ePIL\u003c\/b\u003e sounds like this. John L. was \u003cb\u003eJohn Lydon\u003c\/b\u003e in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it's like the \u003cb\u003eStooges\u003c\/b\u003e' \u003cu\u003eFunhouse\u003c\/u\u003e period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket crosses into hyper-space and everything gets all hyphenated just-for-the-sake-of-it. 'Flowers Must Die', man, it's fucked up. Over on side two, the title-track ('Vibrations') begins poetically enough with \u003cb\u003eWolfgang Muller\u003c\/b\u003e's epic and hugely reverbed vibraphone. Organ fades in and FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally materializes -- this is the one that Göttsching and \u003cb\u003eEnke\u003c\/b\u003e believed was the sound of heaven. They may have been right. And \u003cu\u003eSchwingungen\u003c\/u\u003e was a gift from the Gods.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":47168243040478,"sku":null,"price":27.36,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/products\/ashratempelschwing.jpg?v=1666706358"},{"product_id":"om-conference-of-the-birds","title":"Om - Conference of the Birds","description":"\u003cp\u003eOm\u003cbr\u003eConference of the Birds\u003cbr\u003e2026 Drag City\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComprised of two songs that build on Om’s (Al Cisneros and Chris Hakius, rhythm section of legendary sludge and stoner rock pioneers, Sleep) use of cyclical rhythm, riff, and vocal intonation, the duo’s new album Conference of the Birds blends metal, chant, drone, dub, and psychedelia . The band’s lyrics expound upon the structure of the universe, potentiality, and freedom from the physical body. Engineered by Billy Anderson and produced by the band, Conference of the Birds progresses beyond their debut, Variations on a Theme, with more fully realized songwriting and production by Billy Anderson (Melvins, Neurosis)\u003c\/span\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48552035320030,"sku":null,"price":22.64,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/products\/conference.jpg?v=1674771761"},{"product_id":"om-variations-on-a-theme","title":"Om - Variations On A Theme","description":"\u003cp\u003eOm\u003cbr\u003eVariations On A Theme\u003cbr\u003e2026 Drag City\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM reunites one of the most powerful rhythm sections in rock music: Al Cisneros [bass, vocals] and Chris Hakius [drums], both ex-members of the legendary Sleep. Variations on a Theme is comprised of three long songs employing a series of rhythmic chants whose cadence-like textural drive conveys flight. The album's numerous lyrics serve as symbolist vehicles to a state outside the field of time and space. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVariations on a Theme is a series of vibrations and flow. The opening track,\"On The Mountain at Daw\" is the thematic blueprint of the entire album; a transportive series of differentiated verse with sets of solid groove. \"Kapil's Them\" furthers the motif while the closer \"Annapurna\" breaks the spell, where the final wash of sound reflects the infinite. \u003c\/span\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48552033747166,"sku":null,"price":22.64,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/products\/variations.jpg?v=1674771935"},{"product_id":"smith-elliott-either-or","title":"Smith, Elliott - Either\/Or","description":"\u003cp\u003eElliott Smith\u003cbr\u003eEither\/Or\u003cbr\u003e2024 Kill Rock Stars\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Colored Vinyl LP","offer_id":48044810010846,"sku":null,"price":24.53,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/products\/51SfmEZIEnL.jpg?v=1676342042"},{"product_id":"rudimentary-peni-cacophony","title":"Rudimentary Peni - Cacophony","description":"\u003cp\u003eRudimentary Peni\u003cbr\u003eCacophony\u003cbr\u003e2023 Sealed\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eClocking in with 30 tracks at 43 minutes, Cacophony is a concept album from RUDIMENTARY PENI, originally released in 1989, now remastered and reissued after being unavailable for 15 years. The album deals with the life of New England horror writer and misanthrope, H.P. Lovecraft. The album is hailed as a classic benchmark of outsider punk. CD version comes in gatefold digifile sleeve with 20-page booklet. LP packaged in gatefold jackets with poster, download and 8-page LP-sized booklet.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48552040005854,"sku":null,"price":25.47,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":48552042692830,"sku":null,"price":15.09,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/products\/R-25144075-1668283261-8452.jpg?v=1679613586"},{"product_id":"rudimentary-peni-death-church","title":"Rudimentary Peni - Death Church","description":"\u003cp\u003eRudimentary Peni\u003cbr\u003eDeath Church\u003cbr\u003e2025 Sealed\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA reissue of Rudimentary Peni's Death Church, originally released in 1983. The words legendary, seminal, and classic get thrown around at will these days, but Rudimentary Peni's debut album is all of them. Recorded over two days at Southern Studios by John Loder and originally released in 1983 by Crass off-shoot label Corpus Christi, Death Church showed a band moving away from the urgency of their two early 7\"s and into their own realm. Creating a template that bands have been trying to replicate ever since, while ticking all the boxes to become a genre-defining album. Iconic artwork, a unique sound and their own lyrical universe. All merging seamlessly. Sonically the album is full of Nick Blinko 's extraordinary vocals and equally remarkable guitar, Grant Matthews 's big meandering driving basslines and Jon Greville's tight and relentless drum work which together made something intricate and hard hitting, with a sequence that makes the 21 songs on the album flow perfectly. Visually, the album is every outsider art lover's wet dream. A six-panel poster sleeve with every inch covered in Nick Blinko's claustrophobic black-and-white line drawings, while lyrically the songs deal with madness, religion, death, and questioning humankind from a dark poetic place rarely found in any art form. Remastered from the original master tapes by Arthur Rizk and housed in a replica poster sleeve, including the original insert, Death Church is back in print nearly a decade of no official reissues.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48552051736798,"sku":null,"price":25.47,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/000_NVVN_006-228x228.jpg?v=1689374031"},{"product_id":"electric-eels-spin-age-blasters","title":"Electric Eels - Spin Age Blasters 2xLP","description":"\u003cp\u003eElectric Eels\u003cbr\u003eSpin Age Blasters 2xLP\u003cbr\u003e2023 Scat\u003c\/p\u003e\n\u003cp\u003eON LIMITED CLEAR WITH BLACK SWIRLS VINYL!!! The electric eels were the first punk band, full stop. They may not have “started” the genre, but they were the first to tick all the boxes. The eels rejected every 1970s rock convention—professionalism, virtuosity, subject matter, image. Dave E.’s caustic vocals, complete with an aggressive lisp and a head full of snot, would become de rigeur a few years after the group disbanded. Meanwhile, the songs’ focus on car crashes, suicide, neuroses, and generally hating people were as far out of the mainstream as possible. The two eels tracks that do approach the subject of romance couch it in terms of not really caring that much about it (“Jaguar Ride”) or placing it in the context of a grisly murder (“Silver Daggers”). Also consider John Morton’s signature guitar sound, a nails-on-chalkboard tone with brutally free soloing inspired more by Albert Ayler than the blues or aspirations to technical facility. Ditto Dave E.’s clarinet playing and affection for lawnmowers and vacuums during live performance. They were notoriously violent not only among themselves, but towards audiences, police, and anyone unfortunate enough to be around them when things went south. Then of course there are the leather jackets, the clothing festooned with rat traps or safety pins. And no bass player, why bother. There is simply no other “proto” band to have had all these pieces in place circa 1973-1975.\u003c\/p\u003e\n\u003cp\u003eYet it is a mistake to consider the eels exclusively in such a context. Yes, the eels could and did shock anyone who encountered them, but they also had great songs. While both Dave and John were visionary writers, they also had rhythm guitarist Brian McMahon, a melody and riff machine who wrote many of the band’s signature songs. And they were no one-trick pony. Although much of the band’s material is appropriately high-energy, there is also the downer eels—morbid, harmonically risky, and in full existential crisis. Although it’s not a focus of this compilation, the eels also had a penchant for completely free improvisation.\u003c\/p\u003e\n\u003cp\u003eOver the last forty plus years, there have been several electric eels compilations. Spin Age Blasters is quite simply the best one ever assembled, every single key track is here in its best version, properly mastered by John Golden, and sequenced with an eye towards both flow between tracks as well as individation between sides. A true monster of an album.\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Clear With Black Swirls Vinyl 2xLP","offer_id":48526897643742,"sku":null,"price":33.02,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/145892_main.jpg?v=1690136249"},{"product_id":"agriculture-the-spiritual-sound","title":"Agriculture - The Spiritual Sound","description":"\u003cp\u003eAgriculture\u003cbr\u003eThe Spiritual Sound\u003cbr\u003e2025 Flenser\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThere’s a kind of quiet violence in how music is consumed today—flattened into background noise, sonic perfume fed into algorithms, sold as lifestyle. It’s entertainment as anesthesia. Sound without the weight. The Spiritual Sound, the new full-length from Los Angeles–based band Agriculture, stands as a pointed refusal of this condition. This is not a playlist. This is not a vibe. It is a demand.\u003c\/p\u003e\n\u003cp\u003eAcross its runtime, The Spiritual Sound traces a narrative arc through extremes: searing, sky-cracking catharsis on side A; a slow-burning, devotional undercurrent on side B. The album is largely a fusing of the visions of its two principal songwriters, Dan Meyer and Leah Levinson: distinct voices, deeply complementary.\u003c\/p\u003e\n\u003cp\u003eMeyer writes like someone clawing toward the divine through noise, channeling Zen Buddhism, historical collapse, ecstatic grief. Levinson’s songs move differently: grounded in queer history and AIDS-era literature, amid the suffocating fog of the present, they carry the weight of survival as daily ritual. Her writing asks how to honor queer community and collective struggle without turning it into identity branding or personal mythmaking: how to stay honest, how to stay present. Though distinct, their voices converge in a singular spiritual grammar—one that defines the totality of The Spiritual Sound, not as separate parts, but as one unified expression.\u003c\/p\u003e\n\u003cp\u003eAgriculture’s formation mirrors this duality. What began as a loose collaboration between Kern Haug and Dan Meyer in the Los Angeles noise scene evolved into a shared pursuit of the sublime through heavy music. With the additions of Richard Chowenhill and Leah Levinson, the project solidified into the band’s current form. The ecstatic black metal foundation was laid on 2022’s The Circle Chant, expanded into something more precise and far-reaching on their 2023 self-titled full-length, and deepened further with 2024’s Living Is Easy: a record that embraced devotional intensity and radiant heaviness in equal measure.\u003c\/p\u003e\n\u003cp\u003eAgriculture doesn’t offer salvation. The Spiritual Sound isn’t a map out of the fire. What it offers instead is presence: a confrontation with the moment, however unbearable, however divine. It insists that meaning is still possible, even in a world hell-bent on reducing everything to content, and where suffering itself can be conducive to recovery. 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Frontman and brainchild Rafay Rashid has long possessed an ability to channel the canonical saints of underground rock; if past releases found him scaling a Punk Rushmore of Ziggy, Iggy, and Lou, Erase America burns a votive candle for the profane soul of Mark E. Smith. Songs like “Intifada”, “US Rat”, and “Miracle Bombs” fuse the paranoid catharsis of post-punk and no wave with the avant-noise nihilism of the band’s Providence, R.I. home base. The resulting speedball might be the first record to fully look the fetid corpse of post-empire America eye to eye. “The motherland of killing another man” indeed.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48348405334238,"sku":null,"price":21.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/149899_main.jpg?v=1781904784"},{"product_id":"king-bee-s-t","title":"King Bee - s\/t","description":"\u003cp\u003eKing Bee\u003cbr\u003es\/t\u003cbr\u003e2026 Doomtown\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMore than 40 YEARS IN THE MAKING! Doomtown Sounds, in collaboration with Toody Cole and the surviving members of the band, is proud to present the release of the KING BEE album, containing a dozen unreleased studio and live songs recorded between 1977 and 1981. King Bee was Fred Cole's late 70's band, and their music occupied an important position in Fred's development as a songwriter. This often-overlooked part of Fred's career saw him combining elements of his 60's roots with this new sound called punk rock, and it was this synthesis of styles which led to the Rats, and, eventually, to the creation of Dead Moon.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48348425978078,"sku":null,"price":23.58,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/149870_main.jpg?v=1781905630"},{"product_id":"skate-death-you-break-it-you-buy-it","title":"Skate Death - You Break It You Buy It","description":"\u003cp\u003eSkate Death\u003cbr\u003eYou Break It You Buy It\u003cbr\u003e2026 PNV\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStraight reissue of this 1985 20 song LP from Anchorage, Alaska's finest, Skate Death. With a name like Skate Death, it will not surprise you to hear that the group played meat and potatoes brash American hardcore. And coming from Alaska, you can hear the focus and prolific songwriting that often come out of an off the beaten path scene. 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Their unique blend of psychedelic rock and traditional Swedish folk music was groundbreaking at the time—and still resonates with new generations of listeners today. This long-awaited \"Green Album\" from 1970 marks their very first release under the name Träd, Gräs och Stenar. Now, for the first time since its original release, it's being reissued on vinyl-complete with rare photos, an in-depth story, and a 30x60 cm poster. Decades later, the band continues to perform under the name TRÄDEN, now with only one original member. 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From the very earliest days of Earache Records, BBC National Radio's John Peel was a huge supporter of the Earache label and it's extreme grind core bands. Peel first offered BOLT THROWER a session in 1988, and invited them back at the end of 1988 and again in 1990 to the hallowed Maida Vale studios that helped break the band to mainstream success. 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Now, the Grammy-nominated quintet return with their sixth studio album Garip - their most ambitious and diverse release to date, and a heartfelt tribute to Neşet Ertaş - a revered and much-loved Turkish singer, lyricist and bağlama player who recorded more than 30 albums and wrote hundreds of songs.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Sunburst Splash Vinyl LP","offer_id":48446478352606,"sku":null,"price":19.81,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/4475566-3494302.jpg?v=1784325022"},{"product_id":"stereolab-emperor-tomato-ketchup","title":"Stereolab - Emperor Tomato Ketchup","description":"\u003cp\u003eStereolab\u003cbr\u003eEmperor Tomato Ketchup\u003cbr\u003e2025 Duophonic\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOn February 28, 2025, Stereolab are making seven of their studio albums available again as 2LP editions. These utilise the same remasters as the 2019 expanded album editions, cut from the original 1\/2\" tapes by Bo Kondren at Calyx Mastering and overseen by Tim Gane, but without any of the bonus material from the 3LP versions (which have now been discontinued), the idea being to make more cost-effective versions of these sought-after titles available to fans and shops. Each record comes housed in a single 5mm printed sleeve with printed inner sleeves, and a protective PVC outer bag. 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Traditional black metal song \u003c\/span\u003e\u003cspan\u003estructures still persist in songs like \"Night Descends\" and \"In The Garden\". However, \u003c\/span\u003e\u003cspan\u003etheir rawness and fast tempos is quickly cut through by dark ambient passages in \u003c\/span\u003e\u003cspan\u003e\"Amor\" and \"Intro\" and softly played desolate ballads like \"Nocturne\" and \"Lily\". \u003c\/span\u003e\u003cspan\u003eThe crown jewel is the album closer \"Swordsman\", a track that displays a superb gothic \u003c\/span\u003e\u003cspan\u003esensibility, a poem recited over a deeply melancholic piano melody. \"The Christian \u003c\/span\u003e\u003cspan\u003econcept of a person ridding themselves of evil to find inner peace or to be able to \u003c\/span\u003e\u003cspan\u003eleave this world safely has become the core inspiration for the song.\" Dmitry explains \u003c\/span\u003e\u003cspan\u003e\"However, this is not the only reading possible. I purposely avoid specifics in my lyrics \u003c\/span\u003e\u003cspan\u003eso that the listener can always give the song their own meaning.\" \u003c\/span\u003e\u003cspan\u003eThe inspiration for the concept of the album also came from David Bowie's The \u003c\/span\u003e\u003cspan\u003eRise and Fall of Ziggy Stardust and the Spiders from Mars. \"I really enjoy it when an \u003c\/span\u003e\u003cspan\u003ealbum tells a story about some character so I came up with one.\" says Dmitry when \u003c\/span\u003e\u003cspan\u003eexplaining the origin of the Pale Swordsman. 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They set up shop, begin printing leaflets, hold gatherings and start growing their ranks through recruitment. Jeremiah and the Children are not necessarily an odd addition to Redding in 1974. Since the 1930s, psychonauts and spiritual seekers have been drawn to this area in Northern California under the shadow of the dormant volcanic cone of Shasta. By 1974, urban California hippies worn down by direct political engagement with state security forces have started drifting North and the towns along the border with Oregon state are filled with ad-hoc spiritual organizations, commune builders and lost souls. Jeremiah and the Children fit right in. A few years prior to assembling his flock, Sand had self produced and released an album of psych-folk that was unremarkable in almost every way, save for the unrelenting vanity and egoism on display in the lyrics. This early album is one of the only existing documents of Sand. The commercial failure of the album became the catalyst for Sand to leave Southern California and settle in a place where his \"truth\" would be \"received by pure and open hearts\". By mid 1974, the Children have grown in rank and Jeremiah becomes obsessed with recording \"his masterpiece\"... a musical message to the world, communicating a \"Truth\" that only he has been given spiritual access to. This project becomes the central focus of the Children. His lieutenant Brother Swann overhears that there is a small recording studio just North of the city. He arrives one day at the reception with a large gym bag full of cash and instructs the owner to cancel all sessions on the books. The studio will now focus on one thing and one thing only: helping Jeremiah realize his vision. Tents and rough structures appear on the surrounding property as the Children make the studio and it's grounds their new home. They hold recruitment meetings where Jeremiah evangelizes in between endless recording sessions. The owner and his staff begin to feel as though they're being held hostage but the money is good and the Children keep paying. Overpaying. This goes on for years. New members drift into the sessions. A disgraced professor from the Electro Acoustic Music program at Evergreen state arrives with a full Buchla system he's \"liberated\" from the university, Jeremiah is entranced by it and for a few weeks the only sounds coming from the studio are blasts of atonal, corroded noise underpinned by ominous chanting. The mood changes. The town begins to turn against the Children. A few people have gone missing. Some teenagers. A studio engineer. By the Spring of 1977, the entire session has broken down into hallucinogen and cocaine fueled chaos. Bad vibrations. One night in early March, after a particularly grueling mixing session, the producer and owner of the studio is startled awake by by an extremely agitated looking Brother Swann. Swann is sweating and wild eyed, casually holding a gun, explaining to the producer that \"plans have changed\" and that Jeremiah has \"heard a calling and a Great Summons\". They are leaving. All of them. That night. Swann directs the producer to put the existing reels in a lock box along with a short 16mm film, lyrics, album art and scribbled notes. Swann tells the producer Jeremiah will be back to finish his masterpiece. It all goes in the box and it's not to be opened until the Children return. They never do.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2018, wildfires rip through Redding, CA and burns it to the ground. Over a thousand homes are incinerated. One rough structure north of the city is partially saved. 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Formed around the core of jazz vibraphonist \u003c\/span\u003e\u003cb\u003eChristian Burchard\u003c\/b\u003e\u003cspan\u003e and drummer \u003c\/span\u003e\u003cb\u003eDieter Serfas\u003c\/b\u003e\u003cspan\u003e, the group started his career in Munich in 1969. 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The gang from Munich flew over a series of packed jam showing their authentic passion for the Middle East. Combining a series of progressive numbers, still miles away from their British counterpart, the band opened up for a series of transcendental and wicked numbers, pushing the boundaries of the '70s counterculture. While it was some eastern-blues rapture or a post-\u003c\/span\u003e\u003cb\u003eColtrane\u003c\/b\u003e\u003cspan\u003e collage in the vein of the classy melody of \u003c\/span\u003e\u003ci\u003eA Love Supreme\u003c\/i\u003e\u003cspan\u003e, the band built his foundation while facing an ancient future. 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A batch of new vittles and encores of some of his classic tunes, \u003c\/span\u003e\u003ci\u003eAncestral Swamp\u003c\/i\u003e\u003cspan\u003e bubbles with laid-back ease and tre-molodic goodness. Most songs have the simplest of arrangements: Hurley singing solo, accompanied by his guitar, Wurlizter organ, or fiddle. Tara Jane O'Neil helps lend a nice touch to 'El Dorado,' and Snock calls upon frequent past accomplices Dave Reisch and Louie Longmeyer for their graceful touch on sleepy winners like 'New River Blues' and 'Gamblin' Charlie.' As with all Hurley's albums, once one sets the needle down, one is put in a certain peace and place. His voice and songs are unique, shuffling with characters and visions clear and wild. With \u003c\/span\u003e\u003ci\u003eAncestral Swamp\u003c\/i\u003e\u003cspan\u003e, it seems Snock has left his front door open a bit wider than usual. If you lean in close, you can inhale a little of the vapor rising off the water, and enjoy a tale or two.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48526191132894,"sku":null,"price":21.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/GONG007LP_CU.jpg?v=1785429597"},{"product_id":"dave-whatever-happened-to-2026-mix-expanded","title":"Dave - Whatever Happened to...(2026 Mix Expanded)","description":"\u003cp\u003eDave\u003cbr\u003eWhatever Happened to...(2026 Mix Expanded)\u003cbr\u003e2026 Guerssen\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eWhatever Happened To...?\u003c\/i\u003e\u003cspan\u003e by \u003c\/span\u003e\u003cb\u003eDave\u003c\/b\u003e\u003cspan\u003e (a duo comprised of \u003c\/span\u003e\u003cb\u003ePeter Harknett\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eRussell Elliott\u003c\/b\u003e\u003cspan\u003e) has become one of the most elusive and sought-after modern psychedelic records among collectors of DIY and late-'60s-inspired psychedelia. Recorded in a converted garage studio in North London by two vinyl-obsessed friends operating under complete anonymity, the album offers a rare balance of lo-fi intimacy, homemade experimentation and authentic psychedelic vibe. Deeply inspired by psychedelia, folk-rock and krautrock (think \u003c\/span\u003e\u003cb\u003ePretty Things\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eS.F.Sorrow\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBarret\u003c\/b\u003e\u003cspan\u003e-era \u003c\/span\u003e\u003cb\u003eFloyd\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGene Clark\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePopol Vuh\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eHawkwind\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eKoobas\u003c\/b\u003e\u003cspan\u003e), the record feels less like a retro revival and more like a lost private press artifact from another era. Dreamy vocals, fuzzed out guitars, effects, long tracks, stoned vibe -- It will appeal equally to fans of '60s-'70s psychedelia, '90s shoegaze and bands like \u003c\/span\u003e\u003cb\u003eSpacemen 3\u003c\/b\u003e\u003cspan\u003e\/\u003c\/span\u003e\u003cb\u003eFlying Saucer Attack\u003c\/b\u003e\u003cspan\u003e. The original album was mixed live by four hands straight from the mix desk without any studio gadgets. It was subsequently pressed in a homemade edition of 50 copies with help from \u003c\/span\u003e\u003cb\u003eBrian Carroll\u003c\/b\u003e\u003cspan\u003e (cutting engineer at I.B.C. Studios: Factory, Five Day Rain, etc) but without Peter Harknett's (one half of Dave) knowledge \/ involvement. The cover featured Peter's neighbor Dave on the front. On the back, they included a blurry photo of their Italian friend \u003c\/span\u003e\u003cb\u003eMarco\u003c\/b\u003e\u003cspan\u003e (from Rock Bottom Records), who used to buy and trade original psych albums from Russell and Peter. The original pressing of the album suffered from excessive duration on each side, affecting the sound quality. This has been fixed for our new reissue, expanding it to a double LP including two previously unreleased tracks from the album sessions. Also, all the tracks have been newly and carefully mixed from the original multi-track tapes by Peter Harknett, sounding better than ever. Featuring extensive liner notes and reflections from co-creator Pete Harknett, this long-overdue reissue finally brings the album beyond collector lore and into the wider psychedelic canon. Includes insert with liner notes by \u003c\/span\u003e\u003cb\u003eKlemen Breznikar\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003ci\u003eIt's Psychedelic Baby\u003c\/i\u003e\u003cspan\u003e) and photos. Features two previously unreleased bonus tracks from the original album sessions, as well as download card with the full 2LP plus one digital only bonus track.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl 2xLP","offer_id":48526203519198,"sku":null,"price":40.57,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/GUESS263LP_CU.jpg?v=1785430256"},{"product_id":"2nd-coming-evaluations","title":"2nd Coming - Evaluations","description":"\u003cp\u003eThe 2nd Coming\u003cbr\u003eEvaluations\u003cbr\u003e2026 Guerssen\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe story of \u003c\/span\u003e\u003cb\u003eThe 2nd Coming\u003c\/b\u003e\u003cspan\u003e begins in the late 1960s, when psychedelic music was sweeping across America. While California became the epicenter, a parallel scene was quietly exploding in Florida -- fueled by young musicians inspired by the British Invasion and artists like \u003c\/span\u003e\u003cb\u003eHendrix\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eCream\u003c\/b\u003e\u003cspan\u003e, yet searching for a heavier, more original sound. In Sarasota and Bradenton, a tight-knit group of players gathered around a small venue called Club Toro. Among them were \u003c\/span\u003e\u003cb\u003eLarry Reinhardt\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eReese Wynans\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRichard \"Hombre\" Price\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBerry Oakley\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eDickey Betts\u003c\/b\u003e\u003cspan\u003e -- musicians who would soon help shape what the world would later call Southern rock. What started as cover bands quickly evolved into something louder and more experimental. Out of this scene came two interconnected bands: \u003c\/span\u003e\u003cb\u003eThe Load\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eThe Second Coming\u003c\/b\u003e\u003cspan\u003e (featuring Dickey Betts and Berry Oakley). By 1968, both groups had relocated to Jacksonville, Florida, sharing houses, stages, and an emerging musical vision. Their live shows -- especially at legendary local spots like the Forrest Inn -- became marathon jam sessions, drawing crowds of up to 2,000 people and attracting players like \u003c\/span\u003e\u003cb\u003eDuane Allman\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eButch Trucks\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eJaimoe\u003c\/b\u003e\u003cspan\u003e. These collaborations would ultimately lead to the formation of \u003c\/span\u003e\u003cb\u003eThe Allman Brothers Band\u003c\/b\u003e\u003cspan\u003e, while the remaining members continued forging their own path -- raw, heavy, and deeply rooted in blues, psychedelia, and improvisation. In April 1969, a new, revamped line-up of the Second Coming -- rechristened as The 2nd Coming -- and featuring Larry Reinhardt (guitar), Reese Wynans (organ), Richard \"Hombre\" Price (bass) plus two drummers (\u003c\/span\u003e\u003cb\u003eMonty Young\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eJohn Meeks\u003c\/b\u003e\u003cspan\u003e), entered Sound Laboratory in Jacksonville to record what would become the \u003c\/span\u003e\u003ci\u003eEvaluations\u003c\/i\u003e\u003cspan\u003e album. But when the band couldn't pay the $6,000 studio bill, the album was shelved. A failed trip to New York to secure a deal sealed its fate, and the band soon dissolved. The master tapes were left behind -- lost and forgotten for decades. The legend might have ended there -- until the late 1990s, when the original master tape was rediscovered in a storage archive. Purchased by the former band members, the recordings were finally back in their rightful hands. After years of remaining unheard, the project has now been fully restored and released in collaboration with Guerssen Records, bringing this powerful, long-lost recording to light for the very first time. Sourced from the original masters, featuring artwork in silver foil by artist \u003c\/span\u003e\u003cb\u003eFez Moreno\u003c\/b\u003e\u003cspan\u003e. Includes insert with liner notes by original member Richard 'Hombre' Price. Includes download card.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48526269776094,"sku":null,"price":31.13,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/GUESS275LP_CU.jpg?v=1785431614"},{"product_id":"writing-on-the-wall-lucifer-corpus","title":"Writing On The Wall - Lucifer Corpus","description":"\u003cp\u003eWriting On The Wall\u003cbr\u003eLucifer Corpus\u003cbr\u003e2026 Guerssen\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eWriting On The Wall\u003c\/b\u003e\u003cspan\u003e were a legendary Scottish underground psych\/prog band whose explosive live reputation rivaled the early UK heavyweights of the late '60s\/early '70s. From Edinburgh soul rebels to theatrical psychedelic warriors, they were signed to the Middle Earth label, releasing their sole album, \u003c\/span\u003e\u003ci\u003eThe Power Of The Picts\u003c\/i\u003e\u003cspan\u003e, in 1969. Sadly, despite critical praise, major live popularity and opportunities to break internationally, the band's career became trapped in management disputes, failed label deals and bad luck, leaving much of their finest material unreleased for decades. This compilation gathers some of that material: their killer non-LP \"Lucifer Corpus \/ Child On A Crossing\" 45; early psych stuff including the rare \u003c\/span\u003e\u003cb\u003eJury\u003c\/b\u003e\u003cspan\u003e acetate; the 7-minute Mellotron-fueled \"Buffalo\" and rare TV broadcast recordings. Comes in hard cardboard period sleeve. Includes insert with track-by track annotations by original member \u003c\/span\u003e\u003cb\u003eJimmy Hush\u003c\/b\u003e\u003cspan\u003e and rare photos.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48526413824222,"sku":null,"price":31.13,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/GUESS277LP_CU.jpg?v=1785436179"},{"product_id":"united-states-of-existence-lavender-glory-trip","title":"United States Of Existence - Lavender Glory Trip","description":"\u003cp\u003eUnited States Of Existence\u003cbr\u003eLavender Glory Trip\u003cbr\u003e2026 Guerssen\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack LP limited to 300 copies. After decades as a cult footnote of the 1980s neo-psychedelic revival, the \u003c\/span\u003e\u003cb\u003eUnited States of Existence\u003c\/b\u003e\u003cspan\u003e return with \u003c\/span\u003e\u003ci\u003eLavender Glory Trip\u003c\/i\u003e\u003cspan\u003e -- their first new album since their early recordings. Once separated by geography, careers, and time, the band's unlikely reunion was sparked by a rediscovered unfinished song from drummer \u003c\/span\u003e\u003cb\u003eGary Schwartz\u003c\/b\u003e\u003cspan\u003e. What began as a solo project evolved into a full-band collaboration, made possible by modern recording technology and renewed creative chemistry. \u003c\/span\u003e\u003ci\u003eLavender Glory Trip\u003c\/i\u003e\u003cspan\u003e blends classic elements like Mellotron, sitar, and fuzz guitar\/bass with expansive homemade production. Drawing partly from archival fragments and partly from new material, the album embraces experimentation, spontaneity, and even surrealist techniques. Its title and artwork reflect a collage-like approach, merging contrasting moods and themes, including commentary on conflict and human cycles, resulting in an album that honors their psychedelic roots (\u003c\/span\u003e\u003cb\u003eElectric Prunes\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBlues Magoos\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eStrawberry Alarm Clock\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAssociation\u003c\/b\u003e\u003cspan\u003e) while pushing into new sonic territory (sunshine\/baroque\/harmony pop). 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While their sound can be described as primitive, in the sense of the primordial, not in terms of playmanship, their folk-horror aesthetic abuts a pop sensibility that undermines pure thrift in either genre. What results is a wholly unique sound that permeates one's physiognomy like poison from a deliciously enchanted apple. Keyboardist\/flautist\/vocalist \u003c\/span\u003e\u003cb\u003eJessica Weeks\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cb\u003eMagus, The Valerie Project\u003c\/b\u003e\u003cspan\u003e) and guitarist\/vocalist \u003c\/span\u003e\u003cb\u003eGillian Chadwick\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cb\u003eEx Reverie, Rusalnaia\u003c\/b\u003e\u003cspan\u003e) together draw from a storied musical past to infuse a new creation whose iteration defies ease of labeling. Dueting vocals clamber and soar, guitars stab and arpeggiate, keys rumble and swoon as the rough beast that is Woodwose's debut long-player stands upright, ready to be born into the world.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48526569668830,"sku":null,"price":24.53,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/LOS014LP_CU.jpg?v=1785437571"},{"product_id":"nilsson-molly-un-american-activities","title":"Nilsson, Molly - Un-American Activities","description":"\u003cp\u003eMolly Nilsson\u003cbr\u003eUn-American Activities\u003cbr\u003e2026 Night School\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eUn-American Activities\u003c\/i\u003e\u003cspan\u003e is the 11th Studio album by \u003c\/span\u003e\u003cb\u003eMolly Nilsson\u003c\/b\u003e\u003cspan\u003e. Written and recorded entirely on location in California at the former home of writer, poet and early opponent of the National Socialist regime in 1930s Germany, \u003c\/span\u003e\u003cb\u003eLion Feuchtwanger\u003c\/b\u003e\u003cspan\u003e and his wife \u003c\/span\u003e\u003cb\u003eMarta\u003c\/b\u003e\u003cspan\u003e. An album of experimentation, genre-mashing and, above it all, Nilsson's instantly recognizable melodic skill and empathy, it continues the songwriter's explorations of power, freedom, oppression and its opposing force, a love unbound. After accepting an artist residency as part of the Villa Aurora program, Nilsson began work crafting a new album from scratch in a new environment, afforded the freedom, space and time to challenge her practice and take her music into new territory. The resulting work, \u003c\/span\u003e\u003ci\u003eUn-American Activities\u003c\/i\u003e\u003cspan\u003e, is a love note not only to the artist who was among the very first to be declared an 'enemy of the state' by the Nazi regime but also to both the eternal struggle he fought and the human spirit that pervades all of Nilsson's best work. It is also a double-pointed poison pen letter: a critique of the new forms of oppression wielded by her temporary adopted country of the USA but also an acknowledgement of the promise it always offers but never fulfills. Along with the novel use of color and photography in the artwork for \u003c\/span\u003e\u003ci\u003eUn-American Activities\u003c\/i\u003e\u003cspan\u003e, there are swathes of new techniques, genres and timbres new to Molly Nilsson's music in evidence, 16 years into her music career. While \u003c\/span\u003e\u003ci\u003eUn-American Activities\u003c\/i\u003e\u003cspan\u003e finds Nilsson experimenting, creating instinctive music on a first-thought-best-thought basis there are still 'classic' Molly moments liberally spread throughout. 'Excalibur' feels like the Molly of old, an absolute star of a chorus refrain smudged with the vaseline of fuzz and hope, 'Red Telephone' is wide-eyed, slathered in reverb and chorus effects, distorted with soaring melody, a heart-tugger that tugs the body upwards to the heavens with each evolving wave. Glistening digital tones wash through the album, providing a Y2K etherealness to Nilsson's audacious Stars and Stripes reference to 'Wetcheeks.' Perhaps the album's standout, however, is 'Palestine (Somewhere Over The Rainbow),' which is suffuse with empathy, solidarity and, in referencing the classic socialist-penned canon song from \u003c\/span\u003e\u003ci\u003eThe Wizard Of Oz\u003c\/i\u003e\u003cspan\u003e, speaks directly to the tradition of fighting oppression with full hearts of hope.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48526830043358,"sku":null,"price":27.36,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/LSSN097LP_PROD.jpg?v=1785440050"},{"product_id":"gichard-chins-for-lefty","title":"Gichard - Chins For Lefty","description":"\u003cp\u003eGichard\u003cbr\u003eChins For Lefty\u003cbr\u003e2026 Night School\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eChins For Lefty\u003c\/i\u003e\u003cspan\u003e is the debut album and first recording by \u003c\/span\u003e\u003cb\u003eGichard\u003c\/b\u003e\u003cspan\u003e, a new duo chronicling the absurdities of end-stage capitalism and moldering social rituals from their vantage point in Glasgow, Scotland. Recorded primarily in the band's home studio straight to tape, \u003c\/span\u003e\u003ci\u003eChins For Lefty\u003c\/i\u003e\u003cspan\u003e combines gorgeous, ramshackle melody, DIY kosmische punk, drum machine and synth and, in vocalist\/lyricist \u003c\/span\u003e\u003cb\u003eLisa Jones\u003c\/b\u003e\u003cspan\u003e, an absurdist commentator on the human condition as it navigates the anxieties of the modern world. Instrumentalist \u003c\/span\u003e\u003cb\u003eChas Lalli\u003c\/b\u003e\u003cspan\u003e's swirling music accompaniment stitches an evocative mix of musical styles, the ragged wind beneath the lyrics' wings. Although the duo first collaborated in their previous group \u003c\/span\u003e\u003cb\u003eDragged Up\u003c\/b\u003e\u003cspan\u003e, their disparate musical and artistic backgrounds make for an alluring mix in Gichard. Lalli has spent the last 20 years in the Glasgow underground, most notably in the noise rock group \u003c\/span\u003e\u003cb\u003eVOM\u003c\/b\u003e\u003cspan\u003e, while Lisa Jones's practice was in poetry and spoken word. Beginning as co vocalist in her previous band, in Gichard her lyrics are center stage; the vision concocted alongside Lalli amounts to a total world-build. \u003c\/span\u003e\u003ci\u003eChins For Lefty\u003c\/i\u003e\u003cspan\u003e scans almost like a novel, with each track elucidating a skewed universe that bears only some resemblance to the one you partake in. Like all works of fiction Gichard's songs are rooted in reality and the lived experiences of its authors, but here characters are exaggerated, social mores and habits are pulled apart to reveal their inherent alienness. Universal emotions are laid bare, the bright light of anxious examination searching out every hairline fracture in relationships. Distorted and cracked, the mirror that Gichard hold up to the world is also pretty damn funny.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48526840004830,"sku":null,"price":29.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/LSSN107LP_CU.jpg?v=1785440265"},{"product_id":"christopher-s-t","title":"Christopher - s\/t","description":"\u003cp\u003eChristopher\u003cbr\u003es\/t\u003cbr\u003e2026 Out-Sider\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOut-Sider present a reissue of \u003c\/span\u003e\u003cb\u003eChristopher\u003c\/b\u003e\u003cspan\u003e's self-titled album, originally released in 1970. The only fully-authorized vinyl reissue of \u003c\/span\u003e\u003ci\u003eChristopher\u003c\/i\u003e\u003cspan\u003e in the current market. Christopher were an underground acid rock trio featuring future \u003c\/span\u003e\u003cb\u003eJosefus\u003c\/b\u003e\u003cspan\u003e drummer, \u003c\/span\u003e\u003cb\u003eDoug Tull\u003c\/b\u003e\u003cspan\u003e. They evolved from \u003c\/span\u003e\u003cb\u003eUnited Gas\u003c\/b\u003e\u003cspan\u003e, a psychedelic band from Houston who rubbed shoulders with legends like \u003c\/span\u003e\u003cb\u003eThe 13th Floor Elevators\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eMoving Sidewalks\u003c\/b\u003e\u003cspan\u003e. After relocating to Los Angeles -- where they changed his name to Christopher -- they played at numerous biker parties and recorded their sole album in 1970 for the Metromedia label. It's an amazing example of West Coast psychedelia\/acid-rock featuring strong fuzz-wah guitar, great compositions and superb musicianship. It was housed in a terrific cover depicting the band at the same hippie crash-pad where some scenes from the \u003c\/span\u003e\u003ci\u003eThe Trip\u003c\/i\u003e\u003cspan\u003e movie was filmed. One of the holy grails of American psychedelic-rock and the rarest album originally released by the collectable Metromedia label. Remastered sound. Original artwork. Includes insert with liner notes. \"\u003c\/span\u003e\u003ci\u003eOne of the better LPs in the crowded sub-genre of proto-heavy west coast hippie rock, with mid-period\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAirplane\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCream\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ethe obvious influences. The lyrics are memorable strange\u003c\/i\u003e\u003cspan\u003e\" --\u003c\/span\u003e\u003cb\u003ePatrick Lundborg\u003c\/b\u003e\u003cspan\u003e (Acid Archives). \"\u003c\/span\u003e\u003ci\u003eA great 'lost' album from the USA underground, one that grows and grows with repeated listens. Lots of vibrato guitar riffs and creepy vocals a la\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFrumious Bandersnatch\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eor\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFramework\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e\" --\u003c\/span\u003e\u003cb\u003eClark Faville\u003c\/b\u003e\u003cspan\u003e. Hard cardboard sleeve; obi.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48526876573918,"sku":null,"price":31.13,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/OSR082LP_CU.jpg?v=1785442001"},{"product_id":"einsturzende-neubauten-kollaps","title":"Einstürzende Neubauten - Kollaps","description":"\u003cp\u003eEinstürzende Neubauten\u003cbr\u003eKollaps\u003cbr\u003e2026 Potomak\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes a large format 12-page booklet. Originally released in 1981, \u003c\/span\u003e\u003ci\u003eKollaps\u003c\/i\u003e\u003cspan\u003e is the seminal, form-destroying debut album by German industrial pioneers \u003c\/span\u003e\u003cb\u003eEinstürzende Neubauten\u003c\/b\u003e\u003cspan\u003e (trans. \"Collapsing New Buildings\"). The band's use of junk metal, power drills, jackhammers and other surprising instrumentation would come to define their challenging and continually inventive career, making them not only one of the originators of industrial music, but one of the world's most influential and far-reaching forces at the intersection between avant-garde and rock music. Formed in 1980 in the wave of the Dadaist movement Die Geniale Dilletanten, after a series of devastating live performances and personnel changes (one of which briefly involving electronic musician \u003c\/span\u003e\u003cb\u003eGudrun Gut\u003c\/b\u003e\u003cspan\u003e), the band's line-up cemented itself with core members \u003c\/span\u003e\u003cb\u003eBlixa Bargeld\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eF.M. Einheit\u003c\/b\u003e\u003cspan\u003e (previously of Hamburg-based post-punk band \u003c\/span\u003e\u003cb\u003eAbwärts\u003c\/b\u003e\u003cspan\u003e) and \u003c\/span\u003e\u003cb\u003eN.U. Unruh\u003c\/b\u003e\u003cspan\u003e. On \u003c\/span\u003e\u003ci\u003eKollaps\u003c\/i\u003e\u003cspan\u003e, a violent collision of urban primitivism and punk sensibilities, the trio declared war on every conventional way of listening, combining an intense mess of atonal guitar drones with brutal scrap metal percussion. At a time in Germany in which the wall encircling West Berlin transformed the city into a state-subsidized, near-paradisiacal freak-enclave for artists, Einstürzende Neubauten offered cathartic cascades of noise, employing steel parts, tin drums, drills, hammers, saws and untuned electric guitars, all crowned by Bargeld's bloodcurdling screams and feverish, apocalyptic texts. \u003c\/span\u003e\u003ci\u003eKollaps\u003c\/i\u003e\u003cspan\u003e, with its atonal essence, embodied exactly what the title suggested: decay and destruction, illness, doom and death. Years later, with the fall of the Berlin wall behind it, \u003c\/span\u003e\u003ci\u003eKollaps\u003c\/i\u003e\u003cspan\u003e still sounds as radical and extreme an artistic statement as ever.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48526891778270,"sku":null,"price":29.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/POTOMAK825171_CU.jpg?v=1785442395"},{"product_id":"moby-dick-s-t","title":"Moby Dick - s\/t","description":"\u003cp\u003eMoby Dick\u003cbr\u003es\/t\u003cbr\u003e2026 Sommor\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eItalian hard-rockers who chased the dream to London in '73 and recorded a full album in the very same studio and with the very same engineer as \u003c\/span\u003e\u003cb\u003eLed Zeppelin\u003c\/b\u003e\u003cspan\u003e. Never released at the time, here it is in full hard-rock\/proto-metal glory. \u003c\/span\u003e\u003cb\u003eMoby Dick\u003c\/b\u003e\u003cspan\u003e were a fierce, English-singing rock band born in Naples in 1968, driven by zero compromises, and a motto that said it all: \"no drugs, no bullshit -- just music.\" Blending Mediterranean fire with a hard-rock sound deeply inspired by Led Zeppelin, they carved out a reputation on the Italian live circuit before cutting a now-legendary, long-lost album in London in 1973. Formed in the Vomero district of Naples by guitarist \u003c\/span\u003e\u003cb\u003eToni Di Mauro\u003c\/b\u003e\u003cspan\u003e and bassist \u003c\/span\u003e\u003cb\u003eEnzo Petrone\u003c\/b\u003e\u003cspan\u003e, the band came together with drummer \u003c\/span\u003e\u003cb\u003eAdriano Assanti\u003c\/b\u003e\u003cspan\u003e and, after a relentless search, vocalist \u003c\/span\u003e\u003cb\u003eSandro Coppola\u003c\/b\u003e\u003cspan\u003e. Early rehearsals shook the walls of a tiny apartment, while their live shows -- explosive, chaotic -- earned them a cult following across Italy. They tore through clubs and festivals from Naples to Rome, Milan, and the Adriatic coast, known for wild performances, pyrotechnics, and sheer sonic power -- often for little or no pay. Backed by their loyal road manager Bruno and championed by promoter \u003c\/span\u003e\u003cb\u003eMaurizio Mauri\u003c\/b\u003e\u003cspan\u003e, Moby Dick built their reputation the hard way: on stage. By 1973, against all odds, they secured a deal to record in London with a top engineer linked to the British rock elite. For the band, it was the dream realized: two intense weeks of rehearsing, refining, and recording their definitive statement. Despite the momentum, the album was never released. Industry hesitation, internal fractures, and shifting fortunes saw the band dissolve shortly after returning to Italy. Members drifted apart, opportunities pulled them in different directions, and the recordings were left behind. Featuring remastered sound from the original master tapes. Includes insert with liner notes and photos. Also includes download card including the full album plus four killer bonus tracks recorded in 1970. RIYL: Led Zeppelin, \u003c\/span\u003e\u003cb\u003eDeep Purple\u003c\/b\u003e\u003cspan\u003e, early \u003c\/span\u003e\u003cb\u003eBalletto Di Bronzo\u003c\/b\u003e\u003cspan\u003e, '70s hard rock, proto-metal, underground European hard-rock.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48526901477598,"sku":null,"price":31.13,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/SOMM122LP_CU.jpg?v=1785442859"},{"product_id":"effigy-burnt-offerings","title":"Effigy - Burnt Offerings","description":"\u003cp\u003eEffigy\u003cbr\u003eBurnt Offerings\u003cbr\u003e2026 Sealed\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe early 80’s in Aylesbury, Buckinghamshire, was hardly the place where music dreams came true. It had an amazing venue called Friars which was on the touring circuit, but very few local bands. There was the VICE CREEMS fronted by Kris Needs and there was the notorious yet terrible SORE WILLIES. EFFIGY came from the ashes of the SORE WILLIES and formed in 1983. EFFIGY came fully formed and instantly became popular in the local area, where they put on a weekly night at the Uptown Coffee Bar. The band hardly left Aylesbury though, and when they did it was to play in nearby High Wycombe and Bicester. They played bigger gigs with everyone from ALIEN SEX FIEND, BILLY BRAGG, UK DECAY, THE SCARS and SPIZZ. The band recorded one 5 track demo in October 1983 and it is simply unbelievable that it has never been re-released, but then again the bands legacy seems to have banished without a trace, with literally no mentions anywhere. Making their demo one of the hardest ones from 1983 to track down, or even hear, since it is not even uploaded on YouTube.\u003c\/p\u003e\n\u003cp\u003eEFFIGY’s sound is so instant. It’s driving, tight female fronted post punk with hooks, style, and had it been released at the time would have made them a household name. Think a straight ahead version of SIOUXSIE AND THE BANSHEES, early X-MAL DEUTSCHLAND, THE A-HEADS or the SKELETAL FAMILY but with a more pop edge. The songs lyrically were around the obsession with paganism and old black and white horror films, the name EFFIGY was taken from a book Roger was trying to write about witchcraft and the Pendle witch trials called Effigy of Isobel, which was never completed (due to his very low attention span) but a song on this recording did emerge.\u003c\/p\u003e\n\u003cp\u003eThe release comes with a lyric sheet, a new interview with the band and as much archive as we could dig out, which in this case wasn’t much.\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48552010285278,"sku":null,"price":25.47,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/149884_main.jpg?v=1785968380"},{"product_id":"rudimentary-peni-the-eps-of-rp","title":"Rudimentary Peni - The EPs Of RP","description":"\u003cp\u003eRudimentary Peni\u003cbr\u003eThe EPs Of RP\u003cbr\u003e2026 Sealed\u003c\/p\u003e\n\u003cp\u003eUnavailable since its original release on the Crass side label Corpus Christi in 1987, the much bootlegged compilation The EPs Of RP finally gets an official reissue on Sealed Records.\u003c\/p\u003e\n\u003cp\u003eThe LP collects both Rudimentary Peni 7” releases pre-Death Church LP, completing the trilogy of Rudimentary Peni's first era recordings before their first hiatus.\u003c\/p\u003e\n\u003cp\u003eThe A side contains the band’s stunning debut. A breakneck 12-song 7” EP recorded in 1981 at Street Level Studios and originally released on the band’s Outer Himalayan label. From the first track Rudimentary Peni pull you in and aurally assault your ears creating the template for many to follow. It’s abrasive, sharp, intricate with supreme musicianship and a unique dark sense of humour. They created a perfect, demented universe of twisted, poetic and needle in the red punk often imitated and truly never matched.\u003c\/p\u003e\n\u003cp\u003eFlip over for the follow up, the 11 track 7” Farce that was originally released in 1982 on Crass Records. Like most records on such label it benefits massively from John Loder’s engineering and Penny Rimbaud production. Farce never lets up the intensity with twisted melodies, a locked in rhythm section and Blinko’s much copied anguished vocals that he sings like his life depends on it. It energetic, manic and 40+ years later nothing comes close to both EP’s.\u003c\/p\u003e\n\u003cp\u003eWhile both EPs were originally packed in Nick Blinko’s artwork, he created a masterpiece of dark and intricate art with microscopical detail to house their collection. You can literally get lost for hours in it. This reissue replicates it, adding a new printed inner-sleeve and lyric insert.\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48552055406814,"sku":null,"price":29.25,"currency_code":"USD","in_stock":false},{"title":"Cassette","offer_id":48552061665502,"sku":null,"price":16.04,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":48552062189790,"sku":null,"price":15.09,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/149885_main.jpg?v=1785972502"},{"product_id":"rudimentary-peni-pope-adrian-the-37th-psychristiatric","title":"Rudimentary Peni - Pope Adrian the 37th Psychristiatric","description":"\u003cp\u003eRudimentary Peni\u003cbr\u003ePope Adrian the 37th Psychristiatric\u003cbr\u003e2025 Sealed\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48552069791966,"sku":null,"price":25.47,"currency_code":"USD","in_stock":false},{"title":"Cassette","offer_id":48552069824734,"sku":null,"price":15.09,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":48552069857502,"sku":null,"price":15.09,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/147968_main.jpg?v=1785973961"},{"product_id":"various-screams-from-the-underground","title":"Various - Screams From The Underground","description":"\u003cp\u003eRudimentary Peni\u003cbr\u003eScreams From The Underground\u003cbr\u003e2026 PNV\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA reissue of this cult 1992 compilation cassette marks a \"passing of the torch,\" so to speak, from the Twisted Red Cross compilations and cassette releases of the 80's to the next wave of Filipino punk in the 90's. Featuring crucial Pinoy punk outfits Kabaong Ni Kamatayan,Psychotic Change, The Next, Askals, Bad Omen and Philippine Violators, this is an excellent snapshot of the raw hardcore punk assault brewing in the Philippines at the time. Ranging from more fuzzed out melodic styles to full throttle ultracore onslaughts, this comp will satiate all variety of noise freaks.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wyrd Byrd","offers":[{"title":"Vinyl LP","offer_id":48552076869854,"sku":null,"price":22.64,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":48552076935390,"sku":null,"price":12.26,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0659\/4930\/3006\/files\/149146_main.jpg?v=1785974446"}],"url":"https:\/\/wyrdbyrdypsi.com\/collections\/coming-soon.oembed?page=2","provider":"Wyrd Byrd","version":"1.0","type":"link"}